best lyrical rappers of all time fabolous

#Best lyrical rappers of all time fabolous how to
#Best lyrical rappers of all time fabolous movie
#Best lyrical rappers of all time fabolous skin

“Just waking up in the morning gotta thank God / I don’t know but today seems kinda odd / No barking from the dogs, no smog / And Momma cooked a breakfast with no hog / I got my grub on, but didn’t pig out / Finally got a call from a girl wanna dig out”, he raps during the track’s first verse. His crowning achievement, “It Was a Good Day”, was as vivid as a five-minute West Coast hip-hop jingle could get. Sure, he’s made the bulk of his career in movies and television over the last decade or so, but before that, the N.W.A stalwart was a force to be reckoned with in the hip-hop world.

#Best lyrical rappers of all time fabolous how to

The one thing you can’t say about Ice Cube is that he never knew how to properly tell a story. Ice Cubeįrom somebody who once named an entire recordĪmeriKKKa’s Most Wanted, he is as violent as he is influential, angry as he is poignant. Maybe his best moment on record came from his 1998 collaboration with Mos Def,īlack Star, and his overtly passionate warning to his detractors: “It’s a Small Wonder, like Vicki, why I’m picky / These n-s suck like hickies / And still get the shit they slip in like Mickies / I’m sick of the hater-players, bring on the regulators / With the flavors like a farm team fucking with the majors / Like a river how I run through it, I do it so cold / Freezin’ up your bodily fluids, your style is old”. His voice has always been respected, his flow has always been admired.

Talib KweliĪ socially conscious rapper who’s the son of an English teacher, and you can tell.

East Coast, West Coast, South, or North, Andre 3000 sure knows how to bend some minds.

#Best lyrical rappers of all time fabolous skin

Take the first part to his final verse in “Aquemini” as proof: “My mind warps and bends floats the wind count to ten / Meet the twin Andre Ben / Welcome to the lion’s den / Original skin many men comprehend / I extend myself so you go out and tell a friend / Sin all depends on what you believing in / Faith is what you make it, that’s the hardest shit since MC Ren”.

#Best lyrical rappers of all time fabolous movie

He’s essentially left hip-hop behind in recent years for entrepreneurial opportunities and a desire to become a movie star, but man, when that dude is on, Unfortunately, the whole “when he wants to be” part of that sentence holds more weight than one may hope. When he wants to be, André Benjamin is one of the fiercest Southern wordsmiths of his day. Whoever said hip-hop was only a man’s game, anyway? The defense rests. And besides, since when did ever having a hit automatically make someone a great lyricist, anyway? “We had to pause for station identification / Now ya know my name here’s some more information / Well, let’s see, what you wanna know about me? / MC L-Y-T-E / The Queen - Nah, that’s too corny / The Sexy - Nah, that gets the guys too horny / The Best - Now that sounds conceited / But what is true is true, so it has to be repeated”, she proclaims on 1988’s “I Am Woman”. You can argue until you’re blue in the face about how her lack of hit songs diminishes her place in hip-hop lore, but you’re clearly not paying attention to her sheer lyrical prowess if you do. PopMatters takes a look at some of the best to ever craft simple sentences and small stories within this particularly transcendent medium. From the type of honest and revealing storytelling that some have mastered to the wit-centric, mind-bending lines that ooze with double entendres and third, fourth, and fifth meanings, the best hip-hop will forever be contingent on the power of its lyrics. Hip-hop’s most imperative element is its lyricism and the skill with which it is presented. When done correctly, there may not be another genre in all of music that has more substance within its texture. But that’s why rap music has managed to not only survive, but thrive over decades. It’s fascinating, really, how introspective and confounding stories can be told through 64 bars of vivid imagery on top of chopped-up and rearranged grooves. Founded merely on someone talking quickly over disco beats, hip-hop’s essential element has always been its words, and those who believe otherwise need take their Toby Keith records and get the hell out of the room. When people dismiss hip-hop as dance music, or racist music, or cheap music, or angry music, or idiotic music, or detached music, or lazy music, they clearly have no idea what the genre is about.